At the same time, the writer also poses questions about the correlation in the artist’s work of parts and the whole, about the need to achieve a balance of proportions between the elements that make up a work of art.
Raising the question of the dialectical unity of such aesthetic categories as “beauty” and “ugliness”, Norminton enters into a polemic with the forerunner of postmodernism – romanticism. The literary text refers to the artifacts which are presented in the arsenal of culture that are freely combined according to a kaleidoscope principle.
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Despite the declaration of the need to imitate nature, Arts and Wonders demonstrates that the contemporary author asserts his right to free creative imagination, including the interpretation of historical facts and figures. It was showed that Norminton solves this issue by referring to the traditional concept of mimesis.
An analysis of the two most significant ekphrasises – Vertumn and The Librarian – showed that the author of the novel raises the problem of copy or plagiarism, which today has gained particular relevance both in the world of art and in the academic environment. purpose, the genesis of Norminton’s novel Arts and Wonders was traced and a literary technique such as ekphrasis, that means a verbal description of a painting, was researched. It is shown how a fiction reflects the continuity between contemporary literature and previous literary phenomena, which consists in the perception, transformation, and critical rethinking of aesthetic ideas and concepts. The article reveals some features of postmodern aesthetics that were borrowed by modern literature from romantics, and are now undergoing a period of criticism.
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